I confess to being a “pantser,” that is, a writer who usually creates by the seat of his/her pants. Unlike the alternate method, the “plotter,” I don’t set out in great detail the world, the characters, and what is going to happen. This works well enough for me when creating a single novel, for a continuing series it can cause headaches.
For example, when I wrote The Queen’s Pawn it was pretty much a stand-alone project. My world building consisted of the narrow strip of land the characters fled through, and I designed the landscape as I wrote. I didn’t even bother to give the burning city they fled from a name. It wasn’t important to the tale I was weaving. When I finished, I wrote down two sentences as to what might happen next, if I ever found myself writing sequels. Number one was: The queen is getting married and everyone tries to stop the wedding. The second sentence was similar: The princess is getting married and everyone is tries to stop the wedding. That’s it, my entire notes regarding plotting for any possible sequels. Of course, after The Queen’s Pawn was finished I was asked to write two sequels.
A plotter would have taken the time to build their world before they began. What is the geography like? What are the surrounding countries, the politics, the history, the religion? Who are the main players? The plotter knows their characters and their backstories before starting on the manuscript and has a good idea of the plotline through to the end, may have even designed certain scenes and laid out the chapters. That is the recommended way to write.
I have learned from bad experience to make several notes as I write. Important stuff like describing the characters as I create them, names, places. It would be so much simpler if I did this ahead of time, but unfortunately that’s not my style. Now I have to expand the geography, expand the cast, and decide what nonsense the characters are going to get up to. In the case of the sequels, The Queen’s Man and The Queen’s Game, I had my main cast assembled and the villains still alive and hiding in the woodwork. I let the actors do the hard part and simply described how they would react to given situations.
One advantage for me to my method is I can jump right into the story without always knowing where I’m headed. It becomes a voyage of discovery. Keeps me interested, and sometimes surprised by what happens. At least in the above examples I knew the intended endings, two weddings.
It is the journey of discovery that keeps me amused and eager to continue writing.
The Dark Lady Trilogy (Volume 1,2,3)The Queen’s Pawn (Volume 1) (volume 2 &3, The Queen’s Man, due in 2016, The Queen’s Game ?)
The Housetrap Chronicles (Volumes 1 to 7)
Alex in Wanderland,
We’re Not in Kansas (due in March 2016)